“The Subscription List.” The Kabuki play Kanjinchō

Abstract

The article is devoted to the Japanese drama  Kanjinchō, its text being introduced into Russian scientific circulation. The translation was made with the participation of students from the National Research University Higher School of Economics as part of the project “Translation of Kabuki Theater Plays.” Kanjinchō is one of the most famous dramas in Japanese theatrical tradition. The story focuses on the valiant warrior Minamoto-no Yoshitsune (1159–1189), who is one of the most beloved characters in Japan. Yoshitsune defeated the Taira clan in the decisive Dannoura sea battle (April 25, 1185). The Genpei war ended, but his brother Yoritomo ordered to kill him. Saving their lives, the hero and his companions disguise themselves as  yamabushi monks in order to pass unnoticed through the lands of Japan, blocked by special military inspection checkpoints. “Kanjinch ō ” tells the story of how the samurai crossed one of the gates, named Ataka, in the Japanese mountains. The monk Benkei, Yoshitsune’s faithful companion, used his wits to outwit the gatekeeper, named Togashi-no Saemon. The play contains famous theatrical scenes: an impromptu reading of a charity signature sheet  kanjinchō, the yamabushi-mondō  dialogue, Yoshitsune’s strike, the  Ennen-no mai  dance, the  tobiroppo  flying step. The play originally belonged to Noh theatrical tradition, but Kabuki also adapted it on stage. However, the Noh influence remained strong, which is also discussed in the paper. The religious aspect in the play is presented extensively, reflected both in the actors’ lines and material objects props, accessories, and costumes. This is a feature of Kabuki as a form of performing art, demonstrating deep elaboration of Buddhist symbolism. The article also presents an analysis of the main characters, their stage embodiments, analysis of the symbolism and costumes, a description of   the stage details, and a description of the Buddhist aspect of the play.