japanjournalЯпонские исследованияJapanese Studies in Russia2500-2872Association of Japanologists; Institute of China and Modern Asia of the Russian Academy of Sciences10.24411/2500-2872-2018-10012japanjournal-195Research ArticleСтатьиСиракава Кинсуй: жизнеописания выдающихся женщин в эпоху модернизацииShirakawa Kinsui: Writing Biographies of Exemplary Women in the Age of ModernizationСковоронскихМихаил ВладимировичSkovoronskikhMikhail V.skovoronskikh@gmail.com201816022022027288Copyright © Сковоронских М.В., 20222022Сковоронских М.В.Skovoronskikh M.V.Данная работа распространяется под лицензией Creative Commons Attribution 4.0.This work is licensed under a Creative Commons Attribution 4.0 License.https://www.japanjournal.ru/jour/article/view/195

После реставрации Мэйдзи Японию захлестнула беспрецедентная волна модернизации. В то же время многие культурные феномены раннего нового времени сохранились и в эпоху Мэйдзи, включая традицию создания дидактических жизнеописаний выдающихся женщин для обучения девочек. Эта статья обращается к сборнику таких жизнеописаний под названием «Хонтё̄ тōси рэцудзёдэн», опубликованному женщиной-учёным Сиракава Кинсуй в 1879 г. Статья помещает её работу в широкий исторический контекст и выделяет основные темы, раскрытые в «Хонтё̄ тōси рэцудзёдэн». Статья отмечает, что образ женщины, который рисует Кинсуй, основывается на ортодоксальных конфуцианских ценностях, но в то же время обладает многими качествами, свойственными как женщинам, так и мужчинам.

Following the Meiji Restoration, Japan experienced an unprecedented wave of modernization. At the same time, many early modern cultural phenomena survived well into the Meiji era including the tradition of writing didactic biographies of exemplary women aimed at educating young girls. This article examines a collection of such biographies entitled Honchō tōshi retsujoden published by a female scholar Shirakawa Kinsui in 1879. It places her work within a broader historical context and identifies major themes explored therein. The article argues that, while rooted in orthodox Confucian values, the image of a woman Kinsui proffered possessed many qualities shared by men and women alike.

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The authors declare that there are no conflicts of interest present.